Very good movie. I would watch it again.
This is a 1960 208-minute-long epic directed by Otto Preminger, based on the 1958 novel "Exodus" by Leon Uris.
Widely characterized as a "Zionist epic", the film has been identified as having been enormously influential in stimulating Zionism and support for Israel in the United States.
Even disregarding its political theme, I think it is an interesting semi-historical drama.
"To my knowledge there’s just one man that’s really a true American: George Lincoln Rockwell.I know for a fact he hates Commies cus he picketed the movie Exodus."Bob Dylan, "Talkin' John Birch Paranoid Blues."
Long (3.5 hours), plodding, pro-Israel adaptation of Leon Uris's self-important novel about the founding of modern Israel. As others have pointed out, it doesn't really take the Palestinians into consideration and it's actually the British who are more the adversaries here. Although everything about it screams "epic," it fails on most levels and its cast of largely non-Jews is mostly unconvincing, especially Sal Mineo. I did learn that Paul Newman's father was an Ashkenazi Jew. Newman is fine, but later said he regretted taking the role and he seems vaguely pissed off for much of the movie. Eva Saint Marie, Lee J. Cobb, Ralph Richardson, and Peter Lawford co-star. Screenplay by blacklisted writer Dalton Trumbo. At one of the screenings, comedian Mort Sahl shouted out "Otto (director/producer Preminger), let my people go!" You'll feel the same way.
A story about a tribe reassembling in a place it believes is the ancestral homeland 2000 years previously. Although the land is occupied the tribe forces them out of their homes and off their land because they believe they have a prior claim. A tragic story of human greed and callous disregard for anyone outside the tribe.
Very good historical movie about the establishment of Israel in Palestine, based on Leon Uris' bestselling novel.
Made in 1960 and a very good production for its time.
Sadly, it doesn't even mention the plight of the Palestinians which are still getting their land blatantly stolen in the West Bank & Jerusalem.
This movie was entertaining and interesting but not one of my favorite for this year. “Not too bad---good performance”. "I fast forwarded a lot but not all the way.”
A major movie in it's time, somehow this has not aged well. Not necessarily dated, but it now looks stilted, preachy, and sloppy. Also rather slow paced (which is a bit of a problem with a film three and a half hours long). Yes, the story is still important, but this film does not do it justice.
The Word’s the thing in this film… and that shouldn’t come as a surprise with a screenplay by Dalton Trumbo from Leon Uris’ novel… but a movie is more than words and everything else is just OK. The soundtrack has two or three nice moments of suitably discreet stereo but most of it is a mash of sounds coming from odd directions and a pile of things that sound as if they were looped in later. One glaring sound faux pas is a terrace restaurant scene at “twilight” with birds singing as if it is full day! On the other hand, on the music track, there is that unforgettable, deservedly Oscar-winning, theme. Nearly everything else about the movie, acting, costumes, sets, editing (the film may have benefited from less story sprawl and more focus, but then, that would be a different movie and obviously not what Dalton and Otto had in mind), direction and cinematography is just plain normal. As far as the latter goes, this is a shame since the film was shot in Super Panavision 70. Shot after shot is taken as if using plain old 35mm and many opportunities for using the wide screen are ignored.
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